Dancing oh na na na naked
That’s around the time when we start talking about music.”
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He makes a joke about me selling it, and I laugh because it’s something I know I’ll cherish for the rest of my life. We walk into his office for a chat, and after I make a nervous request, Paul is kind enough to handwrite my favorite lyric of his and sign it. A few times Mary scolds, ‘ Daaad, try to stand still!’ And it feels like a window into a pretty awesome family dynamic. During the shoot, Paul dances and takes almost none of it too seriously and sings along to Motown songs playing from the speakers. They’re a sunny and playful pair, and I immediately feel like this will be a good day. “I’ve met Paul a few times, mostly onstage at parties, but we’ll get to that later,” Swift writes. Before the photo shoot, Swift caught up with his daughters Mary (who would be photographing them) and Stella (who designed Swift’s clothes the two are close friends). Swift listened to McCartney III as she prepared for today’s conversation McCartney delved into Folkore. Swift also took some new chances, writing over email with the National’s Aaron Dessner and recording the raw Folklore, which abandons arena pop entirely in favor of rich character songs.
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Like his first solo album, in 1970, he played nearly all of the instruments himself, resulting in some of his most wildly ambitious songs in a long time. McCartney, isolated at home in the U.K., recorded McCartney III. In addition to being two of the most famous pop songwriters in the world, Swift and McCartney have spent the past year on similar journeys. Swift showed up without a team, doing her own hair and makeup. Taylor Swift arrived early to Paul McCartney’s London office in October, “mask on, brimming with excitement.” “I mostly work from home these days,” she writes about that day, “and today feels like a rare school field trip that you actually want to go on.”